20 Questions with Tyra Banks: Harvard, Top Model and also the "Character" She Plays

Jennifer Garner and Film Clip Jennifer Garner and Film Clip welcomed their third child, US Weekly reviews. Garner delivered an infant boy in Santa Monica. Not one other particulars happen to be published. Jennifer Garner, Film Clip expecting baby No. 3 The most recent accessory for their loved ones joins siblings Purple, 6, and Serafina, 3. Garner and Affleck, both 39, happen to be married for seven years. A repetition for that actress didn't immediately react to TVGuide.com's request comment.

Sundance LUV Duo Lands At Gersh

EXCLUSIVE: Gersh has signed Sheldon Candis and Justin Wilson. They co-written and Candis made his directorial debut on LUV, which opened up at Sundance in the usa Dramatic Competition and was acquired by Indomina and Wager in the 7-figure deal for U . s . States theatrical and broadcast rights. The film, which stars Common, Michael Rainey Junior, Dennis Haysbert and Danny Glover, premieres inside the fall. Candis & Wilson are developing film and tv projects through their Cinephile Academy banner, and so they remain handled by Jeremy Platt and Jelani Manley at Generate.

D.P. Bruce Surtees dies at 74

Bruce Surtees, cinematographer on greater than 50 films, including Bob Fosse's "Lenny," he Surtees was Oscar nominated, and Clint Eastwood photos "Dirty Harry," "High Flatlands Drifter," "The Outlaw Josey Wales" and steer clear of Alcatraz," died Thursday, Feb. 23. He was 74.Surtees made 14 films starring Eastwood, most of them directed by Eastwood. They began their association on films directed by Don Siegel including "Coogan's Bluff" (1968) and 1970's "Two Mules for Sister Sara," which Surtees was the digital camera operator "The Beguiled" (1971) (Surtees' first credit as d.p.) and "Dirty Harry" (1971). When Eastwood made his directorial debut in 1971 with "Play Misty personally,In . he chose Surtees as cinematographer. Furthermore they labored together on "Honkytonk Guy," "Opera," Sudden Impact" and "Pale Driver," all directed and starring Eastwood "Tightrope," starring Eastwood and 1995's "The Celebs Fell on Henrietta," professional produced by Eastwood.Surtees, whose inclination for low-ley lighting introduced for the sobriquet "the prince of darkness," came an Oscar nomination in 1975 for his concentrate on Bob Fosse's considerably recognized Lenny Bruce biopic that starred Dustin Hoffman. The film was shot in black and white-colored. He appeared to become famous for his concentrate on Arthur Penn's 1975 film "Evening Moves" and Gordon Parks' "Leadbelly" (1976).Among his many other film credits were "Harmful Business" and "Beverly Slopes Cop."Surtees also labored in television and was Emmy nominated in 1999 for his concentrate on the A&E telepic "Dash and Lilly." Other credits incorporated "Murder inside a small Town," "That Championship Season" and "American Tragedy."He was the boy from the cinematographer, Robert L. Surtees, who won Oscars for "King Solomon's Mines," "Unhealthy as well as the Beautiful" and "Ben Hur" and was nominated no more than 14 occasions, including four years back to back inside the late seventies. The elder Surtees died in 1985.Bruce Mohr Powell Surtees was produced in La and educated within the Art Center College of Design in Pasadena. He began his career just like a specialist at Disney and in the beginning labored for his father as camera operator on films including "The Hallelujah Trail" and "The Lost Command." Surtees is managed to get by his wife, Carol. Contact Variety Staff at news@variety.com

ND/NF festival sets slate

'Where Do We Go Now?' Gotham's annual New Directors/New Films festival has lined up a 29-feature slate that opens with Nadine Labaki's "Where Do We Go Now?" and closes with a surprise screening. The last time Film Society of Lincoln Center, which co-presents ND/NF with the Museum of Modern Art, skedded a similar surprise was as part of last year's NY Film Festival. The under-wraps pic turned out to be an early cut of "Hugo," the Martin Scorcese film that went on to become a major awards-season player. "Where Do We Go Now?" centers on a group of Lebanese women who come up with comical schemes to stop their men from killing each other in religious conflicts. Picked up by Sony Pictures Classics, the film has played fests including Cannes, Toronto and Sundance. Another SPC film, Gareth Huw Evans' Indonesian thriller "The Raid," will play ND/NF as the 41-year-old event's first late night screening, while animated graphic novel adaptation "The Rabbi's Cat," helmed by Antoine Delesvaux and Joann Sfar, will be the fest's first 3D offering. Narrative features on tap also include Adam Leon's "Gimme the Loot," Roschdy Zem's "Omar Killed Me" and Mads Brugger's "The Ambassador," while Sundance alums "Five Broken Cameras" and "How to Survive a Plague" are among the doc offerings. Slate also includes a dozen shorts as well as 1953 film "Fear and Desire," an early work by Stanley Kubrick. New Directors/New Films runs March 21-April 1. Title of the surprise pic won't be announced until just before the film unspools. Contact Gordon Cox at gordon.cox@variety.com

Cassian Elwes And Mark Burg Start Evolution Independent To Finance Films

EXCLUSIVE: Cassian Elwes, who 2 yrs ago moved forward from WMA independent film mind to producer and packager of indies, makes a partnership cope with Evolution Entertainment. Elwes and Evolution principal Mark Burg will team for Evolution Independen. While Evolution is better noted for genre fare such as the Saw franchise as well as for 2 . 5 Males, Burg and Evolution leader Mike Menchel will depend on Elwes to locate highbrow independent film projects to purchase. Elwes left WMA when that agency merged with Endeavor and Endeavor partner Graham Taylor required the reins from the department. He's still a fixture at film festivals, like a telemarketer brokering distribution deals as well as with respect to a higher quantity of films he's been creating. Getting ready use of funding fortifies individuals efforts. Elwes stated he continues associations with financier/producers like Michael Benaroya. “I thought after WMA I would never work again, which has switched out to not be,” Elwes explained. “It continues to be 2 yrs, I simply began the 15th movie I’ve created, and that i’ve offered eight others. Mike and Mark were prepared to take their company assets to finance a particular quantity of films every year. We is going to do 4 or 5 this season, and beyond that, my prediction is it will likely be even in addition to that. This can be a fresh infusion of money right into a business that may utilize it, which is an excellent endorsement for that current health of independent cinema.” Menchel stated he and Burg expect to earn money using their indie film investment–they wouldn’t say just how much, but it's multiple millions–and they expect so that it is an resource for their management company and it is clients. “We desire to be not the same as other management companies, and you will see possibilities that clients can access,” Menchel stated. “Cassian includes a large independent production and packaging sales agenting business, and the insightful financial associations is enormous. Cassian told us, I've found all of this money, when individuals come requesting finishing funds, gap money or debt financing. Imagine things i could do basically had the cash and didn’t need to find it. Now he's it.” Menchel stated this is yet another proceed to branch out Evolution’s achieve, to accompany the output deal that Evolution created using Wild Bunch because of its genre arm Twisted Pictures, and also the TV relationship Evolution has with Lionsgate Television, where it's creating the series version of Anger Management which stars Evolution Management client Charlie Sheen. One of the films Elwes continues to be associated with as producer are Blue Valentine, Margin Call, Sarah Palin–You Betcha!, Wettest County, What (which CBS Films acquired at Sundance), the approaching JC Chandor-directed All Sheds with Robert Redford, and also the Lee Daniels-directed The Paperboy.

Davis, Hammer, Moretz and Applegate honored by Women in Film

Women in Film will recognition Viola Davis, Bonnie Hammer, Chloe Sophistication Moretz and Christina Applegate at its June 12 fundraising event dinner. "The AssistanceInch star Davis will probably be recognized while using Very Award for excellence in film, while NBCU Cable maven Hammer continues to be honored while using Lucy Award for excellence in television. Moretz, who stars in May release "Dark Shadows," remains selected as Women in Film's Max Mara "Face for future years.In . Thesp Applegate will probably be recognized while using Norma Zarky Humanitarian Award on her behalf use Right Action for girls, which gives tests to girls that are at risk of breast cancers. Iris Grossman, Leader Emeritus of girls In Film, La, returning this year as Chair in the Honours, mentioned, "Viola, Bonnie and Christina exemplify women whose determination, courage and vision have created their careers and inspired many of us. Chloe Moretz defines the long run, her amazing talent is constantly on the entertain and move decades later on.Inch Additional honorees will probably be introduced soon for your Beverly Hilton Hotel event. Contact Pat Saperstein at pat.saperstein@variety.com

Will Sacha Baron Cohens The Dictator Character Walk The Oscar Red-colored Carpet?

BREAKING: The Academy Of Movement Picture Arts & Sciences is worried that, on Sunday, Sacha Baron Cohen can come towards the Academy awards and walk the Red-colored Carpet. While ordinarily that might be fine since he’s a large worldwide star, the Academy is dismayed he’ll come outfitted because the title character in the approaching Vital comedy The Dictator. That proposal continues to be sailed using the Academy, and that i’m told that everybody active in the ceremony is adamantly against it for the reason it constitutes a mockery of the items Hollywood views its most exclusive event. An Academy awards representative appreciates the gossips but isn’t confident that it’s really going to take place. Stated the representative: “We would hope that each studio recognizes that this can be a bad idea. The Red-colored Carpet isn't about stunting.” I’ve heard his plan's in the future outfitted because the Dictator after which become a tuxedo and attend the Academy awards. He’s not scheduled to provide an award, but he could certainlyarrive included in the Vital contingent. That studio includes a Best Picture nominee within the Martin Scorsese-directed Hugo. Why the subterfuge?Because at 2007′s Academy awards,Baron Cohen was requested to become a presenter and stated he'd get it done only when he or she is in character as Borat. And Also The Forces That Be stated, “No way.” But purists believe that the Academy awards isn't any spot for such inside your face promotion. The Academy hasn’t even permitted movies to become marketed throughout the Oscarcast, until this season. Although it will definitely be interesting to listen to his answer once the Red-colored Carpet’s TV hosts request who he’s putting on, Baron Cohen could be exceeding expectations. On the other hand, because the alternation in producers is made, these Academy awards happen to be incredibly sedate. The possibilities of Baron Cohen’s Red-colored Carpet walk may be the nearest factor to drama I’ve learned about this show. This wouldn't be Baron Cohen’s very first time upstaging an honours show. To advertise Bruno, he travelled with the air in the MTV Movie Honours and arrived together with his crotch when confronted with Eminem, who later accepted the stunt was practiced. Along with a trailer for that Dictator it was among the raciest ever permitted through the MPAA throughout the Super Bowl, where Baron Cohen’s character was hilariously portrayed managing a competitive race while and leg-shooting rivals having a starter pistol because they got near to him. I'll add Vital’s response after i acquire one in the studio. Below may be the Super Bowl ad for that Dictator:

John Leguizamo To Star In ABC Comedy Pilot Only Fools And Horses

EXCLUSIVE: Just 10 days after actor-comedian John Leguizamo signed a noticable difference deal with ABC and ABC Art galleries, he's signed onto star inside the ABC/ABC Art galleries multicamera comedy pilot Only Fools And Horses. Using the British format, the multicamera comedy tales the misadventures of two streetwise brothers and sisters, Del (Leguizamo) and Rodney, in addition to their aging grandfather simply because they concoct crazy, morally questionable get-wealthy-quick schemes inside their mission being riches. Del, the older brother, might be the best choice in the team. He's an excessively confident bon vivant and disadvantage artist who trades garbage from the rear of his vehicle, cheerful and oblivious that he's a lowlife scamster. Steven Cragg and John Bradley written the variation and may executive produce with Leguizamo’s longtime manager Rob Golenberg in the Collective. Incorporated in Leguizamo’s deal with ABC, if possibly Fools And Horses doesn’t visit series, the network will establish only one-camera comedy inspired by Leguizamo’s professional, personal and family existence in NY City for him to star in and executive produce. UTA-repped Leguizamo is presently touring along with his fifth one-guy show, Ghetto Klown.

How 'Ringer' Struck a Chord For Ioan Gruffudd

In the CW drama, "Ringer," Welsh actor Ioan Gruffudd stars as Andrew Martin, a self-made millionaire who struggles to balance his work and family life with his wife and daughter. In real life, Gruffudd is happy to have put down roots in Los Angeles with his wife, British actor Alice Evans (who he met on the set of "102 Dalmatians"), and their three-year-old daughter. Gruffudd, who is known for playing characters like Hortatio Hornblower in the "Hornblower" TV movie series, Mr. Fantastic in "The Fantastic Four" and "Fantastic Four 2," Tony Blair in "W," and Lancelot in "King Arthur," admits that after traveling around the world to shoot various films, it was very appealing to accept a role in a series that shot in Los Angeles. "I loved the character of Andrew and I loved the entire concept - all the delicious ingredients," he says. "Also the fact that it was Sarah Michelle Gellar's comeback to television, that was incredibly attractive." The now-official Angelino sat down with Back Stage to discuss acting, character, and why it's important to persevere. Back Stage: How much did the creators of "Ringer" tell you about the arc of your character before you shot the pilot? Ioan Gruffudd: They told me Andrew Martin was going to be much more interesting than he was on the page in the pilot, but no specifics. It is still incredibly exciting. I have my heart in my throat and my hand over my mouth when I read the scripts. I can't believe what's happening next. It's a real testament to how strong the writing is on the show.Back Stage: Where would you like to see Andrew go? Gruffudd: The actor in me would love to see this guy go to a very dark place, but I think with most great villains we need to love them, you know? We need to understand why they became the way they became. At the moment, we're exploring some of the dark aspects of his psyche, forcing him to make decisions under pressure, which is exciting. But ultimately, I'm one of the main characters, so we don't want him to be hated. Back Stage: What made you want to be an actor? Gruffudd: When I was nine, [casting people] came to my junior school looking for somebody to play the son in a Welsh language drama on BBC2 in Wales and I got the part. I didn't really know what I was doing, but I knew that I enjoyed it. I wasn't very good, but then I went on to do a soap opera in Wales when I was 12. So I fell in love with acting through physically doing it at a professional level from a very young age. It was part of my upbringing and make up, really. I've been doing it for 25 years.Back Stage: Do you have a specific acting method? Gruffudd: Method is only there if you're struggling to break into or find a character. In television, especially, you don't often get to punch above your weight. You're essentially playing very close to who you are. I would say a bit of Stanislavski is based in my method, but it's nothing I consciously sit down and prepare religiously for. Back Stage: Have you had a favorite role? Gruffudd: Every part you have to love. That's where we live; that's where we exist as actors. If I had to choose, it's probably a toss up between "Amazing Grace," directed by Michael Apted and written by Steven Knight, which was based on the character of William Wilberforce who abolished the slave trade, and a project called "Peacekeepers" which was a two-part drama I did with director Peter Kosminsky for the BBC years ago. Matthew Macfadyen, Damian Lewis, and some other great actors were in it. Essentially, it was about the conflict in Bosnia and the British troops that went in as a peacekeeping force. Back Stage: Any words of wisdom for actors who are just starting out? Gruffudd: Persevere. When you're starting out, you never know, you may make an impression on somebody and then they'll remember you in seven years time. Me, I've met producers and directors and many years later they've called me for a project that I'm right for at that time. I know you desperately want to get every part you go up for, but it just might not be necessarily right for you. Just do the best you can do. It's really beyond your control. And never ever think you've learned everything. The day you stop learning is the day that I think you quit acting. New challenges keep you going. That's what keeps me going. I actually learn a lot from watching myself, what I'm trying to do. Be open and be aware and don't think you know it all.

True Blood's Jessica Tuck Involves Grimm: What's Her Link with Adalind?

Jessica Tuck True Bloodstream alum Jessica Tuck is sinking her teeth into Grimm, Entertainment Weekly reviews. Amy Acker holds playing Grimm's alluring black widow The actress will have Adalind's fellow Hexenbiest mother, Catherine, within an episode set to air later this year. Hexenbiests are witch-like animals who usually work with royalty, and therefore are very loyal. In human form, they're very beautiful and all sorts of the Hexenbiests seen on the program so far happen to be female lawyers. Most widely known on her longtime role on a single Existence to reside, Tuck performed vampire-human liaison Nan Flanagan around the Cinemax vampire drama before she was secured in Season 4. She also guest-starred on Castle the 2009 season. Grimm airs Fridays at 9/8c on NBC.

Jackson tribute scores for 'Glee'

Fox's ''Glee'' got a bit of of their groove back Tuesday having a Michael Jackson-designed episode that led to a rankings surge, joining with ''New Girl'' to lift the internet to victory in key demos on the evening when CBS broadcast repeats.Based on preliminary excellent from Nielsen, ''Glee'' (3.6 rating/10 be part of grown ups 18-49, 9. million audiences overall) enhanced by 16% over its newest episode two days ago, standing as Tuesday's top-ranked enter in 18-49 and logging its best score within the demo since early October. It had been then ''New Girl'' (3.5/9 in 18-49, 7.two million audiences overall), that was up a tick week to week and ruled because the evening's No. 1 show in 18-34 (3.7/11). Not too hot is 9:30 p.m. half-hour ''Raising Hope'' (2.1/5 in 18-49, 4.7 million audiences overall), that was lower 9% from the last episode.CBS hung inside with encores of their crime dramas ''NCIS'' (2./6 in 18-49, 12.9 million audiences overall), ''NCIS: Los Angeles'' (1.7/4 in 18-49, 11.a million audiences overall) and ''Unforgettable'' (1.4/4 in 18-49, 7.8 million audiences overall), ranking second in grown ups 25-54 while winning easily as a whole audiences.ABC, whose drama ''The River'' premieres next Tuesday, opted for repeats of ''Last Guy Standing'' at 8 (1.5/4 in 18-49, 5.six million audiences overall) and 8:30 (1.7/5 in 18-49, 5.7 million audiences overall), then the finale of ''Celebrity Wife Swap'' (1.9/5 in 18-49, 5.six million audiences overall) along with a repeat of ''Body of Proof'' (1.1/3 in 18-49, 5.4 million audiences overall).At NBC, ''The Greatest Loser'' (2.1/6 in 18-49, 6.a million audiences overall) ranked second among teenagers from eight to ten p.m., but was around the low side. A repeat of ''Parenthood'' closed the evening (.7/2 in 18-49, 2.4 million audiences overall).CW's ''90210'' (.7/2 in 18-49, 1.4 million audiences overall) was up week to week in certain groups, as the return of ''Ringer'' (.6/one in 18-49, 1.4 million audiences overall) was consistent with its previous performances.Preliminary 18-49 earnings for that evening: Fox, 3.2/8 CBS, 1.7/5 ABC, NBC and Univision, 1.6/4 CW, .6/2.As a whole audiences: CBS, 10.six million Fox, 7.5 million ABC, 5.5 million NBC, 4.8 million Univision, 3.six million CW, 1.4 million. Contact Ron Kissell at ron.kissell@variety.com